Showing posts with label research experiments. Show all posts
Showing posts with label research experiments. Show all posts

Monday, 15 November 2010

Project Onomatopee: "Future" (October 2010)

For October's Project Onomatopee theme of "Future" I decided to try something really conceptual; but before explaining what it is, here is the image that I submitted:


[Addendum - 18/11/10: If you can see NOTHING other than text in the image above then please read the rest of this article before investigating the "easier-to-see" images that I've added to the bottom of this blog post... I've added these new "easier-to-see" versions of the image in order to compensate for the contrasting colour/brightness settings of different computer screens. Please scroll slowly between each image so as to not spoil the surprise - because the hidden picture becomes more and more obvious the further down you scroll!].


What you should see at first glance:
You should be seeing a black page with some white text at the top and bottom, as well as a very dark grey rectangular box surrounded by a thin white outline.
If you cannot see the very dark grey box you may need to adjust your computer monitor slightly until the black/grey colour difference becomes vaguely visible.

So the image suggests that the future is a big black hole?:
Nope, it's a bit more complex than a simple image like that... To discover the message you will need to click on the image for the full-size version, and then, depending on whether or not the dark grey box is completely visible on-screen (or half hidden off-screen) you may need to scroll down a bit. Once you have the dark grey box completely visible on-screen simply stare into it for a few seconds and all should slowly be revealed!

What should happen?:
As you stare into the dark grey box you should gradually begin to notice various grey dots appearing out from the darkness. As your eyes get more accustomed to the darkness, you should begin to see some patterns forming from the grey dots, until eventually you see a little drawing appear on the right-hand-side of the box alongside a short message on the left-hand-side of the box.

How is this relevant to the "future" theme?:
This is where the image gets conceptual. Rather than being a simple image where the picture displays a clear message, this image is more experimental and requires both interaction and a bit of time to become understandable... So in this regard, the "future" theme of the image is not simply that the future is a mysterious black hole, but rather that you have to look into the image and wait until the near future [in real-time] before you can see the full image!

How was this image inspired?:
It was basically just a quick experiment (which wasn't quite as quick as I originally anticipated) that I was curious to discover whether or not would work.
It's based on eye sight, the night sky, and optical illusions. For example when you look at the sky on a clear dark night you originally see only a few bright stars, but as you stare into the dark sky for a longer time your eyes slowly adapt to the darkness allowing you to see more and more stars.
With the creation of this image I wanted to test whether or not a similar effect could be achieved digitally on a computer screen. I had thought about creating something similar to the Ishihara Test for colour blindness (the circles made of coloured dots that contain a hidden number or shape), however the success of such an image would depend greatly upon a number of variables including: the colours used, the colour calibration of different computer monitors, and the potential colour blindness of my audience. Therefore it was very likely that such an image would be visible to most - if not all - people, and require no time at all to become fully visible, which misses the point of the future-themed image.
For the simplest, and hopefully best result, I stuck to simply using black and grey tones (similar to the night sky and stars) to test my theory about whether or not the experimental image would work.
The image was easy enough to create, and certainly on my own computer it seems to work, however I still have my doubts about whether or not it works properly: Is it too dark/hidden? Is it too bright/obvious? Can other people see it all or only part of it? How long does it take to see it? Is the end result worth the time?
Perhaps this style of image would work better when printed - where it looks relatively consistent for everybody; rather than on a computer screen where the brightness/contrast, surrounding lights, and viewing angle can all affect how the image appears.

I don't know if I'll try doing more advanced work with this technique, but it'd be useful to hear whether or not the image worked properly for you and what you thought of it.

Sorry if it hasn't worked and it only wasted your time!


[Addendum - 18/11/10]
Here is the "easier-to-see" sequence of images that gradually reveal the hidden picture within the original image. Please scroll down slowly so as to not spoil the surprise:






Saturday, 16 October 2010

Stopmotion test

Yesterday I tried creating some 3D stopmotion for the first time in years, and below is a video of what resulted:
The video above features a plasticine fish, filmed from several angles, moving tail and fins. It was made as research for an animated music video, however I've since discovered that this won't be a suitable technique for the final video...

While working on that animation test I also filmed a live-action video sequence of myself animating the fish, which has since been edited as a short time-lapse style documentary of the animating process:
The time-lapse style video starts with a playback speed of 4x the original footage, and quickly "ramps-up" to a playback speed of 200x the original footage, before coming to a sudden conclusion at real-time speed.

Thursday, 16 September 2010

Bridge of Allan tunnels

At work this afternoon we went for a location-scouting walk along the old railway line (and tunnels) near Bridge of Allen in Perthshire.
The old line runs almost parallel to parts of the M90 motorway, which I regularly travel on, yet until I conducted some research last week I had no idea that the line was ever there... One of the random facts I picked up last week is that part of it was bombed by the Nazi's during World War 2!


After parking our cars on a farm road in the middle of nowhere we went across an over-grown railway bridge and then walked the trail for about 1.5 miles; during which time we had gone through two very long, pitch black tunnels and encountered numerous decaying objects (of the mechanical variety).


I had never encountered a tunnel that can compare to these (while on foot), so thoroughly enjoyed the experience, and I think it would be a great location to film all sorts of things... Indeed I was actually asked last month about filming a music video there for a metal band! So now that I know what it's like I can't wait to push ahead with that idea.

On another note, I used my digital stills camera to experiment with some time-lapse photography & experimental stopmotion (similar to Pixelation) on the way back to the cars. I haven't really done much time-lapse or pixelation before, but I am planning another music video (for a different band) that uses this kind of filming technique, and so thought this would be a good opportunity to experiment with the process.

For this experiment I basically just took a photo every 2 seconds (roughly) while walking along a short part of the trail leading up to the second tunnel. 
I had a good idea of what the footage should look like when played back as an animation sequence; but because I was photographing while walking (and without a flash) I had no idea whether or not it would turn out any good... To be honest I expected that the footage would be all blurry and randomly jump all over the place, but I think it has turned out surprisingly readable. You can judge for yourself by watching it in the video below:



And to conclude, here are some other photos from the day...





(This final photo is more or less what you see without a torch - and that's relatively near the entrance!)


Saturday, 20 December 2008

Research experiments after Thomas Allen

Today I experimented with trying to make flat bookcovers look 3D(ish)... It is just a bit of practice-led research for my essay, but the technique might find its way into my degree film if I can get it to work properly... Below are some tests:




The technique is based on the really cool work of Thomas Allen (below), which is certainly worth searching for!


I was introduced to Allen's work by Alison Cross, who used it as research for her beautiful graduation film Tale Soup (below) produced at ECA in 2008.

Wednesday, 17 December 2008

My graduation film is...

My graduation project is a slightly experimental suspense film about a young woman searching through a spooky mansion for her lost dog (which is a Beagle). It will be animated by rotoscoping [a hand-drawn interpretation of live-action video footage] with ink on paper. I will record the live-action footage in January and then I will be drawing the footage every day for several months until it is all interpreted on paper... It is due to premiere in June 2009 at The Filmhouse on Lothian Road, Edinburgh.

I will be drawing in a style similar to Arthur Rackham and Edward Gorey but on a very small size so that the drawings are loose and the animation movements look vivid on screen; it will mainly be in black and white; there are influences from the New Wave cinema of Jean-Luc Godard and Aki Kaurismäki; and I will record the dialogue for my film in Finnish (why not?!).
What else is there...?
As well as getting Finnish dialogue recorded by Erica Weiste in Helsinki (Finland); I am getting video footage for the Beagle shot by Annalise Wimmer in Budapest (Hungary); and I am shooting video footage of Darryl Ryznar in Edinburgh (Scotland). The production of my film is basically a little Pan-European jigsaw!

Below is a short rotoscoping test (using footage from Jean-Luc Godard's Bande a Part) as a teaser for my graduation film.